Jean-Gabriel Périot – Bellac, Francia.
Nos jours, absolument, doivent être illuminés (2012); Looking at the Dead (2011); Les barbares (2010); Entre chiens et loups (2008); 200000 fantômes (2007); Nijuman no borei (2007); Gay? (2006); Eût-elle été criminelle… (2006); Dies Irae (2005); We Are Winning Don’t Forget (2004); entre otras.
(23 de mayo de 2012 15:56) ¿Por qué filmo?
Recientemente encontré una cita de Georges Didi-Huberman que aplica perfectamente a tu pregunta:
“Elevar el pensamiento de uno al nivel de la ira (la ira que provoca toda la violencia en el mundo. Esa violencia a la que nos negamos a ser condenados). Elevar la ira al nivel de una tarea (la tarea de denunciar esta violencia con la mayor calma e inteligencia posible)”.
Georges Didi-Huberman in Editings Of The Suffered Time, The Eyes Of The History 2
(2010 – Les Éditions de Minuit).
(May 23th 2012 05:56pm) Why do I make film?
II recently found a wonderful quotation of Georges Didi-Huberman that is perfect for me to answer your question:
“Liftingone’s thought to the level of anger (the anger provoked by all the violence III the world. this Violence to which we refuse to be condemned). liftIng one’s anger to the level of a task (the task of denouncing this violence with as much calm and intelligence as possible)”.
Georges Didi-Huberman in Editings Of The Suffered Time, The Eyes Of The History 2
(2010 – Les Éditions de Minuit).
